/hyperframes-animation

GSAP Effects for HyperFrames

Drop-in animation patterns. Snippets show mechanism only, inside a standard scene clip (hyperframes-core); assume tl exists.

• Typewriter — character-by-character reveal with optional cursor / backspace / word rotation
• Audio Visualizer — pre-extract audio data, drive Canvas/DOM rendering from the timeline

Typewriter

Requires GSAP's TextPlugin alongside the core script:

<script src="https://cdn.jsdelivr.net/npm/gsap@3.14.2/dist/TextPlugin.min.js"></script>
<script>
  gsap.registerPlugin(TextPlugin);
</script>

Basic

const text = "Hello, world!";
const cps = 10; // chars per second — see timing table
tl.to(
  "#typed-text",
  { text: { value: text }, duration: text.length / cps, ease: "none" },
  startTime,
);

Blinking Cursor

Three rules: one cursor visible at a time (hide previous before showing next); cursor must blink when idle (after typing, during holds); no gap between text and cursor (elements flush in HTML).

<span id="typed-text"></span><span id="cursor" class="cursor-blink">|</span>

@keyframes blink {
  0%,
  100% {
    opacity: 1;
  }
  50% {
    opacity: 0;
  }
}
.cursor-blink {
  animation: blink 0.8s step-end infinite;
}
.cursor-solid {
  animation: none;
  opacity: 1;
}
.cursor-hide {
  animation: none;
  opacity: 0;
}

Pattern: blink → solid (typing starts) → type → blink (typing done):

tl.call(() => cursor.classList.replace("cursor-blink", "cursor-solid"), [], startTime);
tl.to("#typed-text", { text: { value: text }, duration: dur, ease: "none" }, startTime);
tl.call(() => cursor.classList.replace("cursor-solid", "cursor-blink"), [], startTime + dur);

Multi-line handoff: hide previous cursor → blink new → brief pause (~0.5s) → solid when typing. Never go hidden → solid (skips the idle blink).

Backspacing

TextPlugin removes from the front — wrong for backspace. Use manual substring removal:

function backspace(tl, selector, word, startTime, cps) {
  const el = document.querySelector(selector);
  const interval = 1 / cps;
  for (let i = word.length - 1; i >= 0; i--) {
    tl.call(
      () => (el.textContent = word.slice(0, i)),
      [],
      startTime + (word.length - i) * interval,
    );
  }
  return word.length * interval;
}

Spacing With Static Text

A typewriter word next to static text (<span>Ship something</span><span style="margin-left:14px"><span id="word"></span><span id="cursor">|</span></span> in a baseline-aligned flex row): use margin-left on the wrapper span. Don't use flex gap (it spaces the cursor from the text) and don't put a trailing space in the static text (it collapses when the dynamic span is empty).

Word Rotation

Type → hold → backspace → next word; cursor blinks during every idle moment:

let offset = 0;
words.forEach((word, i) => {
  const typeDur = word.length / 10;
  // cursor: solid while typing, blink during holds (same call pattern as above)
  tl.to("#typed-text", { text: { value: word }, duration: typeDur, ease: "none" }, offset);
  offset += typeDur + 1.5; // hold
  if (i < words.length - 1) offset += backspace(tl, "#typed-text", word, offset, 20) + 0.3;
});

Appending Words

Build a sentence word-by-word into the same element: keep an accumulated string, each step tweens text: { value: accumulated + " " + word } with duration: newChars / cps, then advances the offset.

Timing Guide

Audio Visualizer

Pre-extract audio data, drive Canvas / DOM rendering from the timeline. Do not use the Web Audio API at render time — there's no playback during seek.

Extract Audio Data

Bundled extractor (requires ffmpeg + Python numpy):

python skills/hyperframes-creative/scripts/extract-audio-data.py audio.mp3 -o audio-data.json
python skills/hyperframes-creative/scripts/extract-audio-data.py video.mp4 --fps 30 --bands 16 -o audio-data.json

Output: { "fps": 30, "totalFrames": 5415, "frames": [{ "time": 0.0, "rms": 0.42, "bands": [0.8, 0.6, 0.3] }] } — rms (0-1) is overall loudness; bands[] (0-1) are frequency magnitudes, index 0 = bass, each band normalized independently.

Loading (Synchronously)

Inline the JSON for small files (< ~500 KB), or sync XHR for large ones:

const xhr = new XMLHttpRequest();
xhr.open("GET", "audio-data.json", false); // synchronous — deliberate
xhr.send();
const AUDIO_DATA = JSON.parse(xhr.responseText);

Do NOT use async fetch() — HyperFrames reads window.__timelines synchronously after page load; building the timeline inside .then() means it isn't ready when capture starts.

Driving the Timeline

Canvas 2D is the workhorse (bars, waveforms, circles, gradients) — one tl.call per frame:

const ctx = document.getElementById("viz").getContext("2d");
for (let f = 0; f < AUDIO_DATA.totalFrames; f++) {
  tl.call(
    () => {
      const frame = AUDIO_DATA.frames[f];
      ctx.clearRect(0, 0, canvas.width, canvas.height);
      // draw using frame.rms and frame.bands
    },
    [],
    f / AUDIO_DATA.fps,
  );
}

WebGL / Three.js: HyperFrames patches THREE.Clock for deterministic time — update uniforms from audio data each frame. DOM elements: fine under ~20 elements, slower than Canvas beyond that.

Smoothing

let prev = null;
const smoothing = 0.25; // 0.1-0.2 snappy, 0.3-0.5 flowing
function smooth(f) {
  const raw = AUDIO_DATA.frames[f];
  if (!prev) prev = { rms: raw.rms, bands: [...raw.bands] };
  else {
    prev = {
      rms: prev.rms * smoothing + raw.rms * (1 - smoothing),
      bands: raw.bands.map((b, i) => prev.bands[i] * smoothing + b * (1 - smoothing)),
    };
  }
  return prev;
}

Design Guide

• Spatial mapping — horizontal: bass left, treble right; vertical: bass bottom; circular: bass at 12 o'clock, wrap clockwise (mirror for a full circle).
• Bass drives big moves (scale, glow, position); treble drives detail (shimmer, flicker, edges); RMS drives globals (background brightness, overall energy).
• Pick 2-3 animated properties — more looks noisy. Keep minimums above zero so quiet sections still have life.
• Band count: 4 = background glow/pulse, 8 = bar charts, 16 = detailed EQ (default), 32 = dense radial layouts.
• Layering: stack canvases with z-index — a background layer driven by bass/rms under a foreground layer driven by individual bands gives depth without per-element complexity.